Search

More than Just Blue

by Mark Smirnoff
Creative COW Magazine : World in Changes Issue : More than Just Blue
Cinematography Feature at Creative COW


COW: What was the relationship between the live action footage that you got from the set, and the digital files that you were getting from WETA?

Mark: Oh God! [Laughs] Now, the live action was handled very differently than the rest of the material, including a different compositing process. And all of the visual effects work wasn't being done at WETA - there were other houses working on various pieces and parts of scenes in the movie.

But the live action footage went through some proprietary steps that not everything else had to go through -- some of which I can't really go into, the secret sauce. [Laughs] And that live action stuff was of course some of the earliest stuff we started to work on, and used for setting up "proof of concept" materials.


AVATAR Fighter Pilot. ™ and ©2009 Twentieth Century Fox Film Corporation. All rights Reserved.
Chopper Pilot Trudy Chacon (Michelle Rodriguez) helps the Na'vi in their epic battle against the forces determined to destroy Pandora. Photo Credit: ILM. ™ and ©2009 Twentieth Century Fox Film Corporation. All rights Reserved.


Along with the live footage came the plates. We would make sure that everything had an overall sort of pre-look to it before it went to a compositing facility. Those then would be composited in various versions of completeness, and come back to us for color correction and 3D optimizing. They would then sometimes have to be re-comped for whatever reason, such as plates getting updated as things went along.

Like I said, there are two steps in there that I can't really discuss, that are part of the magic that happened on the set.


COW: The system that you designed allowed you to blur the line between production and post. The two were really going on at the same time, weren't they?

Mark: We were getting visual effect shots up until the very end, so there was nothing traditional about it. A normal movie would come to the DI process, and you would say, "Reel 1 is locked, here it is." Nothing was locked until, literally, it was going to camera, or going on to digital cinema manufacturing.

  View 1 Comment(s)

  World in Changes
Reply   Like  
+1
Comments

Re: More than Just Blue
by Reza Khorsand-nia
What model camera is that? Director James Cameron has his right hand on?


More From World in Changes Issue:
A World of Great Music Video Contest EntriesDemo Reels
A World of Great Music Video Contest Entries
Editorial
Hello. My name is Tim. I am a Newbie. COWmunications feedback
Hello. My name is Tim. I am a Newbie.
Editorial, Business
Magic Journey to AfricaStereoscopic 3D
Magic Journey to Africa
Feature, People / Interview
The Library of Congress Unlocks The Ultimate Archive SystemFilm History & Appreciation
The Library of Congress Unlocks The Ultimate Archive System
Feature
A Storyteller's JourneyCreative COW Magazine feedback
A Storyteller's Journey
Feature, People / Interview
ESPN 3D: Countdown to Kickoff!Broadcasting
ESPN 3D: Countdown to Kickoff!
Feature, People / Interview
MORE




Related Articles:
NAB 2012: Anton/BauerCinematography
NAB 2012: Anton/Bauer
Feature
NAB 2012: Schneider OpticsCinematography
NAB 2012: Schneider Optics
Feature
Behind the Lens: Air Racers 3D: Flying to an IMAX Near YouCinematography
Behind the Lens: Air Racers 3D: Flying to an IMAX Near You
Feature
If Beauty Will Save the World, Will It Save Cinematography?Cinematography
If Beauty Will Save the World, Will It Save Cinematography?
Editorial
Behind the Lens: James Mathers Talks About 'Brake'Cinematography
Behind the Lens: James Mathers Talks About 'Brake'
Feature
Technicolor Opens Sound Facility on Paramount LotCinematography
Technicolor Opens Sound Facility on Paramount Lot
Feature
Behind the Lens: Martin RuheCinematography
Behind the Lens: Martin Ruhe
Feature, People / Interview
Dante Spinotti, ASCCinematography
Dante Spinotti, ASC
Feature
Editing the Farrelly's The Three StoogesCinematography
Editing the Farrelly's The Three Stooges
Feature, People / Interview
Qube Cinema Delivers 4K 3D From a Single ServerCinematography
Qube Cinema Delivers 4K 3D From a Single Server
Feature
MORE


Creative COW Magazine is copyright 2006 - 2012 by Creative COW®. All rights are reserved.
No reprint rights are granted except to educational institutions such as universities, colleges,
art academies and other training academies. All other rights are expressly reserved.
[Top]