Film? Television? Production? Post? Visual effects? Animation? Stereoscopic 3D? Interactive design? By answering Yes, all of the above, The Molecule keeps its eyes beyond the horizon.
Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company they'd want to do business with. While important details are still being worked out, Grant has some very clear visions about how these practices can help rebuild one of the industry's most respected brands.
Correcting dialogue is one of the most important parts of the old saying, fix it in post. They're part of a process called ADR -- Additional Dialogue Recording, or Automated Dialogue Replacement -- that has been going on since movies had audio, and is still being done today, from the smallest indie films to the biggest blockbusters. Here's an overview of the world of ADR, some of the Cows who are working in this field, and where to go when you are ready to ADR to your own productions.
Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
Looking for smooth shoots even on extreme locations? Want a pain-free post? 24P, film look, Depth of Field converter, advanced compositing and sound design -- its all here. In this Creative Cow Magazine extra from the Workflow 3.0 issue, Carl Larsen shows you how to avoid problems through planning, along with invaluable tips for cinematic storytelling on a tight schedule.
A Creative Cow Exclusive! DigitalFilm Trees Zed Saeed has helped create pioneering digital workflows built around FCP, custom-designed for large-scale productions. Their biggest challenge so far has come on The Forbidden Kingdom, an epic film partnering Jackie Chan and Jet Li for the first time -- with production and post in China, Korea, Australia, and multiple locations in the US. Heres a look at how they put it all together with FCP, Xserve, XML, Color, file-based workflows...and hard, hard work.
When a project requires a photo-realistic 3D world, After Effects isnt usually the first program that comes to mind. Typically a 3D modeling/animation program is necessary to create virtual 3D worlds, but in this article CreativeCOW contributing editor Bill ONeil demonstrates creating a 3D world for a TV spot he was hired to direct and post for the Big Ten Basketball Conference.
The old adage says 'cheaper, faster, better - pick any two.' But is it still true? David Roth Weiss isn't sure anymore. Still, there's something clearly missing in production circles. Veteran director/editor David Roth Weiss looks at what's changing in the world of post production - and what's not.
Are you a video editor hoping to add more richness to your audio? In the world of video editing, its not uncommon for video editors to rely on others to perform audio post production on their projects. But in this article, well focus on ways that you can get better audio without having others do it for you.
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