Ghost of Goodnight Lane Issue : Creative COW Magazine
52 pg, approx 6MB
Making Giant Dinosaurs on Tiny Budgets with Kevin Blank
The COW's Visit to IBC in Amsterdam
Using the Sony F3 with S-Log to film 'Ghost of Goodnight Lane'
A look at HBO's Digital Future
Douglas Trumbull on what theater-goers can expect in the days ahead
A moving tribute to Steve Jobs by Tim Wilson and Tim's father, who worked with Steve many years ago.
Printable single-page version...
|
Page Spread version for reading...
|
Read the COW Magazine Online
(caution, this may be very slow as PDFs are not the fastest pages to load in a browser) |
Articles in this Issue | | | |
NEWS: People in the News | Steve Jobs - A Personal Calendar Entry
Steve Jobs was almost unbelievably young when we met him. We talk about him as a visionary now, but then, they called him a whiz kid, the Boy Wonder: 21 when Apple was founded in 1976, 22 when Apple formally incorporated, 25 for Apple's IPO, and 26 when he first made the cover of Time Magazine. Macintosh shipped when Steve was 28.
Editorial 11/30/2011
Author: Tim Wilson |
| | | | |
| | | |
Art of the Edit | Giant Dinosaurs, Tiny Budgets
Spielberg? Dinosaurs? Every effects house wanted in -- until they saw the budget. Terra Nova VFX Supervisor Kevin Blank takes us back in time, to the laying of their VFX plans.
Feature 11/08/2011
Author: Kevin Blank |
| | | | |
| | | |
Cinematography | Douglas Trumbull Sees a Better Filmgoing Future
Douglas Trumbull first won acclaim with the visual effects for such groundbreaking features as "2001: A Space Odyssey," "Close Encounters of the Third Kind," and his own "Silent Running," but with the invention of Showscan in the late 1970s, he became the godfather of high-frame rate cinema. This pioneering innovator sees a better filmgoing future.
Feature, People / Interview 11/29/2011
Author: Douglas Trumbull |
| | | | |
| | | |
Art of the Edit | HBO's Digital Transition
HBO holds the highest reputation for television image quality, often based on an aesthetic very closely tied to their use of film. The stakes as they move toward digital pipelines are especially high as they very carefully consider their next steps, for both production and post.
Feature 10/14/2011
Author: Debra Kaufman |
| | | | |
Writers in this Issue
      |
Issue Sponsors
|
|
