The Stereoscopic 3D issue is filled with expert insight and commentary, opinion, technique and from-the-trenches stories about many facets of acquiring, creating, marketing and distributing Stereoscopic 3D. Here's a brief look at some of the people and technologies powering the new generation of 3D storytelling -- which looks like it might be here to stay this time!
Brian Gardner explores the roots of 3D in human perception.
Bernie Laramie of Stereoscope Studios and Jason Goodman of 21st Century 3D show the amazing 3D rigs they've built in order to capture their stories.
John Daro shows us how he handles 3D DI at industry-leader FotoKem.
Jim Mainard at DreamWorks Animation and Greg Foster, the president of IMAX Filmed Entertainment, talk about what 3D means to their companies.
Ray Zone, the world expert in the history of 3D imaging, examines its past to see its future
Chris Heuer describes bringing the classic "Nosferatu" into 3D.
This is just the beginning of the COW Magazine's 3D coverage, but it's a GREAT start! See for yourself.
We hope you enjoy reading it as much as we had making it.
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An Introduction to the Stereoscopic 3D Creative COW Magazine Issue - From the time we first heard stories as humans, we have wanted to be persuaded by illusions. When we are, we never say, That could never happen, because it just did.
By working in the area between what you see, and what you can see, Brian Gardner is helping re-write the rules of 3D filmmaking - right before your very eyes. In this article, he tells how some of these new rules played out in his work on the amazing movie, Coraline.
In this article from the Stereoscopic 3D issue of The Creative COW Magazine, Bernie Laramie, co-founder of Stereoscope, discusses rigs and stereoscopic hardware used in creating high-end 3D movies.
DreamWorks wasn't the first to make a modern-day 3D animated movie. But they were the first to commit to do nothing else, and to commit to start-to-finish 3D authoring for all of it.
IMAX talks about what they look for in bringing 3D to their screens. IMAX has made a big commitment to 3D exhibition: 200 new screens coming on line as quickly as possible, with IMAX producing all of their documentaries in stereoscopic 3D.
The world expert in the history of 3D imaging looks at its past to see into its future. Along the way, he looks at the role of comics in the evolution of 3D storytelling, the importance of anaglyph even today, and why 3D is going to stick around this time.
FotoKem opened as a film lab in 1963, and has continued to evolve and expand. Here are some of the tools they're using as the industry, and their business, now adds another dimension.
Nosferatu, the first vampire movie, and some say still the best, rises again in 3D! Chris Heuer used desktop tools including AE and Mocha to breathe new life into this classic of world cinema.
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The Stereoscopic 3D issue is filled with expert insight and commentary, opinion, technique and from-the-trenches stories about many facets of acquiring, creating, marketing and distributing Stereoscopic 3D. Here's a brief look at some of the people and technologies powering the new generation of 3D storytelling -- which looks like it might be here to stay this time!
