Todd has shot countless television commercials and industrials using both 35mm film and depth-of-field converted video. The creative director of Fantastic Plastic, you can find him hosting in the COW's forums for Business & Marketing, Canon camcorders, Cinematography, HDV, Indie Film & Documentary, and Lighting Design Pros. He claims to own no socks.
Cinematographer and Creative Cow leader Todd Terry has shot countless television commercials and industrials using both 35mm film and depth-of-field converted video. In this Creative Cow Magazine Extra, from The Visual Effects Issue, learn how depth of field converters allow you to attach 35mm lenses even to video cameras with fixed lenses, how they work, and which one might be right for you.
Interchangeable lenses and powerful, accessible controls make the Canon XL H1 the choice at Fantastic Plastic. In this Creative COW Magazine prosumer hd digital video camera review, Todd Terry discusses the real world pros and cons of the Canon XL H1.
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Todd has shot countless television commercials and industrials using both 35mm film and depth-of-field converted video. The creative director of Fantastic Plastic, you can find him hosting in the COW's forums for Business & Marketing, Canon camcorders, Cinematography, HDV, Indie Film & Documentary, and Lighting Design Pros. He claims to own no socks.
