Art of the Edit|
|'Art of Post' Art Show Features Creativity After Delivery|
The creative folks in post-production often apply their artistic skills beyond their jobs. They sometimes even apply to it to art. This is every bit as true for technical and administrative people who don't have a specific outlet for their artistic impulses on the job. The folks at the bi-coastal visual effects and motion graphics company came up with a fantastic idea: let's put some of the work they've created in galleries. and call it "The Art of Post." Creative COW Associate Editor Kylee Peña responded strongly. "When I saw the Art of Post event featuring art created by post production professionals in Los Angeles and New York, I knew it wasn't just a new idea, it was necessary." Learn more about the remarkable event, enjoy the work of some remarkable artists, and perhaps think more broadly about what it means to be creative.
Author: Kylee Wall
|Boris FX Acquires Imagineer, Building VFX Development Dynamo|
Boris FX, makers of VFX plug-ins and integrated workflow solutions including Boris Continuum Complete, have signed an agreement to acquire Imagineer Systems, makers of mocha Pro. The two will combine for a tremendous reach in the editing, motion graphics, and VFX communities, and have already begun work on joint projects and technologies.
Author: Tim Wilson
Art of the Edit|
|The Production Process Part THREE: Post-Production/Delivery|
In this series, Biscardi Creative Founder, Walter Biscardi, Jr. "demystifies" the video production process. In Part 3, Walter and Nicole discuss the final two steps of the process: Post Production and Delivery. Editorial, Graphics, Sound, Color Grading and more make up the Post Production process and Walter explains what all of these elements are and how they come together to make your final project.
Author: Walter Biscardi
Adobe After Effects|
|Joseph Kosinski’s Film “Oblivion” Showcases Elegant Effects|
World‐class user interface designers, graphic artists, and animators create crisp, timeless visual elements for the sci-fi film starring Tom Cruise and Morgan Freeman, Oblivion. Kosinski turned to Bradley G. Munkowitz (GMUNK), whom he'd previously worked with on Tron Legacy. As lead interface graphic designer, GMUNK then pulled a team together that included Interface Graphic Designers Joseph Chan (Chanimal) and Jake Sargeant, and Interface Animators Alexander Perry (AP), Navarro Parker (Nav), and David Lewandowski (D-Lew). They were happy to reunite to share how much fun they had creating the 2D effects for the film using an Adobe workflow.
Adobe After Effects|
|VFX & Motion Graphics on Star Trek: Into Darkness|
Andrew Kramer of Bad Robot and author/owner of the site Video Copilot was tapped to create more than 30 title sequences for the resurrection of the classic science fiction franchise with Star Trek: Into Darkness, while the OOOii team created stunning graphics and heads-up displays for the blockbuster film. OOOii CEO Kent Demaine, Lead Designer Jorge Almeida and Andrew Kramer shared their great experiences working on the latest seminal Star Trek film.
|Behind the Lens: C.O.G. & Kyle Patrick Alvarez|
Based on an autobiographical comedy by acclaimed author and NPR contributor David Sedaris, "C.O.G." focuses on a summer of misadventures and growing up one young man named David [as in David Sedaris] encounters on an apple farm in Oregon. This look behind the lens of "C.O.G." with filmmaker Kyle Patrick Alvarez reveals a captivating story on both sides of the camera.
Author: Kyle Patrick Alvarez
|Using a Little Blackmagic to Revisit a Documentary|
Pixie Dust flows from Blackmagic Design's Teranex 2D Processor to integrate and upconvert newly discovered vintage SD footage, photographic stills and new interviews into a re-edited and remastered 2001 documentary memorializing the 1963 NCAA "Game of Change" between Mississippi State University and Loyola. Over 60% of the new DVD/Blu-ray includes new footage or pictures, and the challenge was to make the old SD footage look as good as possible in an HD project.
Author: Robbie Coblentz
Matrox Video Systems|
|NAB 2013: Matrox Video Systems|
At NAB 2013, Matrox Graphics' new Mojito 4K is a quad 3G-SDI 4K video monitoring card aimed at Adobe professional editing on the Windows platform. Also new is Matrox Monarch HD, an under-$1,000 compact video streaming/ recording appliance designed for users who need to simultaneously stream a live event and record a Blu-ray quality version for post-event editing. The company also debuted Matrox Avio F125, fiber-optic KVM extenders that separate dual HD video, keyboard, mouse, stereo analog audio and USB 2.0 devices from a workstation and plays back HD, 2K and 4K video without dropped frames at maximum distances of 4 km. KVM extenders are also now compatible with APCON IntellaPatch Series 3000 XE network switches.
Author: Debra Kaufman
|IBC 2012: NVIDIA|
Mac enthusiasts were happy to learn that NVIDIA just introduced the Quadro K5000 for Mac Pro systems, based on NVIDIA Kepler architecture and featuring Cinema 4K display support. NVIDIA also unveiled its second-generation Maximus workstation, featuring the Kepler architecture. This means that users can now send compute work to the NVIDIA Tesla accelerator, reserving the Quadro K5000 GPU for content creation. Last, the company debuted a new line of Kepler-powered Quadro graphics solutions for mobile workstations.
Author: Debra Kaufman
SIGGRAPH member, Ryan Salazar highlights a few key products and services from the largest and most complete display of goodies from the computer graphics and interactive techniques industry - an event which boasted over 160 industry organizations exhibited in a mind-blowing 44,750 square feet of exhibit space.
Author: Ryan Salazar